How to Write a Summary of an Article? Lynch has always been the artsy type; throughout high school, he was a keen painter, with a very abstract style, and after leaving school, he studied painting at the Museum of Fine Arts, Boston in He then proceeded to travel around Europe to study the works of Austrian expressionist painter Oskar Kokoschka.
She has given birth to a baby. Her mother insists on marriage. Unable to cope with the demanding baby, the woman leaves.
The man looks after it through an illness. He has a brief sexual encounter with a neighbour. Increasingly insistent visions of a strange woman who exists behind the radiator in the apartment impinge on his claustrophobic world. Finally, he kills the baby — an act which shatters the world and frees him to join his vision-woman in Heaven.
It has become one of the most persistent and successful cult films on the midnight and art house circuits. Yet, while it shares many characteristics which might be attributed to cult films as a class, it differs in some significant ways. These films invite the audience to throw off their inhibitions and join in an assault on generally accepted standards of good taste.
It provides an auditory and visual assault which isolates each viewer. The experience becomes intensely personal, unshared.
Lynch achieves this by relentlessly applying alienating devices. Foremost among these is the setting of the film in a bleak world not recognizable as our own. The action which takes place there offers no narrative with an externally meaningful coherence.
Exhibiting an artistry and technical skill almost unique in low budget filmmaking — ERASERHEAD is shot in beautifully atmospheric black-and-white, enhanced with a remarkably intricate, expressionistic soundtrack — Lynch has structured the film in a series of almost circular movements, taking the viewer on detours which seem to lead back to our starting point — but not quite.
Early in the film, Henry stares at the radiator in his room. A menacingly slow tracking shot moves along the base of the radiator, accompanied by a low, threatening hum and a harsh hissing of steam; sound and image attain an intensity which warns of some imminent event.
Expectation is fulfilled, but in an unexpected way and displaced in time. He stares at the wall and the camera passes into it; the wall becomes an alien landscape where a worm-like creature rises up to swallow the camera.
We emerge from darkness to look back out of the wall at Henry. But Mary is no longer there. They embrace in a bed which is transformed into a pool of milky fluid into which the couple submerge.Essay Collections; Book Chapters; Eraserhead () The Elephant Man () Dune () David Lynch (b.
) is among the most significant filmmakers alive today, with a cultural influence stretching far beyond cinema. Lynch, David Marker, Chris Marxism Masculinity in Film Melodrama Memory and the Flashback in Cinema Metz, Christian.
Dec 08, · David Lynch; Album Eraserhead Soundtrack; Licensed to YouTube by [Merlin] SC Distribution (on behalf of Sacred Bones Records); UMPI, UMPG Publishing, and 7 Music Rights Societies Video Essay.
An analysis of David Lynch's debut film Eraserhead. Eraserhead is a American body horror film written, produced, and directed by David Lynch.
Shot in black and white, Eraserhead is Lynch's first feature-length film, following several short ashio-midori.com by: David Lynch, Fats Waller, Peter Ivers. Lynch's Works: About The Third Place – A concentration of lynchian themes Essay by Ludovic Ligot, Paris Organic Phenomena: DAVID LYNCH's Deepening Mysteries By Brett Wood, Art .
David Lynch’s debut feature Eraserhead debuts this week on the Criterion Collection, in an edition that looks gorgeous and is loaded (loaded) with extras. It .